Tied Assets - (Alba Zevon & Sarah Wild) - MP4 2k (1920x108')

Description: After a happy celebration marking the final ousting of sarah wild’s former business partner, sarah and her accomplice alba zevon (the famous lawyer), are basking in triumph with sarah promising alba to give her the shares subtracted to raimondo. their apartment is bright, stylish, and filled with the satisfaction of revenge well-served. but as laughter fades into content silence, a shadow falls across their victory. an intruder sneaks him in—a masked man, cold and efficient—hired by the very man they’ve just dethroned. he waits that alba goes to kitchen to grab sarah. first, wrestles her to the couch, and roughly yanks her wrists behind her back, wrapping them tightly with rope, then gags her with efficient  cleave+ stuff gag. alba once she finished to cook food in kitchen and didn't hear anything of the wild fight in the living room because she was wearing headphones, arrives and despite the surprise  tries to fight the baddie, but she too is quickly overpowered. he goes with her in the other room while sarah struggles alone in the living room. sarah knows that the baddie is having fun with alba. while he's busy to tie her sarah must try to esape but she has little success in her effort. soon the baddie is back with alba already trussed up. he makes alba sits next to sarah and seals her lips with another cleave gag. now seated side by side, struggling and furious, the women kick and twist in vain. they work on the knots with rage and frustration: no avail. alba tries to stand up, sit on couch, hop around to find something o cut ropes, but every effort is useless muffled gasps and sharp “mmphs” fill the room as both women shake their heads in disbelief and frustration. as they writhe in confusion, the intruder calmly empties their drawers, seizes laptops, jewelry, and phones. but it becomes clear—this isn’t just theft. it’s revenge. he leaves them for a moment, only to return with something far more humiliating in mind.he takes some pictures of them to show them to his mandator then he receive instruction to strip the greedy women to show their superb curves. he wants a last image of them before leaving with all their assets. the lighting changes. the camera cuts to a new shot. sarah and alba are now stripped down to bikinis, their sweaty skin gleaming under the room lights. the elegance of their former appearance is gone—replaced by sheer, exposed helplessness. they’re hogtied, (on screen) their ankles pulled up and cinched tightly to their wrists, elbows pressed back, breasts rising and falling with each labored breath. their cleave gags are gone—replaced with wide, microfoam tape gags, silencing their moans even further. the tape stretches tight across their mouths, pressing their cheeks in, their eyes wide with indignation and fear. suddenly, the door opens again. the true villain enters: sarah’s former partner, now smug, calm, and dressed for success. he circles them slowly like a predator savoring his triumph. “well, well. look at the queens of the boardroom now—tied, gagged, and at my feet,” he sneers. sarah and alba glare up at him, faces red with rage—but they can only grunt in protest. he leans in, whispering that he’s transferring all of their digital assets to a hidden account in the cayman islands, draining the last of their power while they watch, helpless and bound. dialogue in english all productions (video & images) & associated bondage scenarios depicted are strictly of a role play and story driven nature and feature fully consenting participants and established safe signals (clearly defined within each fantasy scene) between model(s) and crew are in continual use throughout the production